Complete Concordance
Foreword by Stephen King (Vol.1)
Welten, Schauplätze und Figuren des Grossen Zyklus
STEPHEN KING'S THE DARK TOWER
A Concordance, Volume I
Herausgeber: Robin Furth
© 2003 by Robin Furth
© für das Vorwort 2003 by Stephen King
Deutsche Ausgabe:
© 2004 by Wilhelm Heyne Verlag, München
ISBN 3-453-87555-9, Broschiert, 415 Seiten
Originalausgabe:
© Juli 2003 by Scribner
ISBN: 0-743-25207-1, Trade Paperback, FICTION/General, 192 Seiten
Inhalt:
Tarotkarten (Abb.)
Vorwort von Stephen King
Über dieses Buch
Textnachweis und Abkürzungen
Schlüssel
Tür (Reisender, Jenseits liegt Mittwelt) (Abb.)
Jahrmärkte in Gilead
Mittwelt-Monde
Einführung: Roland, der Turm und die Suche
Figuren
Orte in Mittwelt
Orte in unserer Welt
Portale und magische Orte
Anhang I: Hohe Sprache, niedere Sprache und Mittwelt-Jargon
Anhang II: Mittwelt-Miszellen
Anhang III: Politische und kulturelle Figuren
Anhang IV: Karten von Mittwelt
"I found this overview of In-World, Mid-World, and End-World both entertaining and invaluable. So, I am convinced, will you." -- from the foreword by Stephen King
The Dark Tower is the backbone of Stephen King's legendary career. Inspired more than thirty years ago by works as diverse as J. R. R. Tolkien's epics, Robert Browning's poetry, and Sergio Leone's Westerns, this is the tale that Stephen King has never abandoned. When he typed the first sentence in 1970, King feared the telling might take several lifetimes, but two thousand pages and four books later, the end is in sight.
Published in anticipation of The Dark Tower V: Wolves of the Calla, A Concordance, Volume I is the definitive guide to the first four books in Stephen King's bestselling epic fantasy series, The Dark Tower. With the hundreds of characters, Mid-World geography, and the High Speech lexicon, this comprehensive handbook is one no Dark Tower fan will want to be without. It is the perfect way in for readers new to the series, or the perfect way back in for longtime fans who read the first four books years ago.
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Welten, Schauplätze und Figuren des Grossen Zyklus
STEPHEN KING'S THE DARK TOWER
A Concordance, Volume II
Herausgeber: Robin Furth
© 2004 by Robin Furth
© für das Vorwort 2004 by Stephen King
Deutsche Ausgabe:
© 2008 by Wilhelm Heyne Verlag, München
ISBN 978-3-453-40016-0, Broschiert, 655 Seiten
Originalausgabe:
© 2005 by Scribner Book Company
ISBN 0 743 25208 X, Paperback, 480 Pages
© 2005 by Hodder & Stoughton Ltd
ISBN 0 340 83067 0, Hardcover
Inhalt:
Abkürzungen und Textnachweis
Schlüssel
Tür
Commala (Das Reiselied)
Einführung
Figuren, magische Objekte, magische Kräfte
Orte in Mittwelt und Orte im Grenzland
Orte in unserer Welt und die vielfältigen Amerikas
Portale, magische Orte und Orte in Endwelt
Anhang I: Mittwelt-Dialekte
Anhang II: Eine kurze Geschichte von Mittwelt (Allwelt) und Roland Deschain, Krieger des Weißen
Anhang III: Reime, Lieder, Gebete und Weissagungen aus Mittwelt
Anhang IV: Der Turm, die Suche und Die Augen des Drachen
Anhang V: Personen aus Politik und Kultur (aus unserer Welt), die in Wolfsmond, Susannah und Der Turm erwähnt werden
Anhang VI: Karten von Mittwelt, Endwelt und unserer Welt
Danksagung
The Complete Concordance
Herausgeber: Robin Furth
Artist: Alan M. Clark
© 2007 by Robin Furth
Originalausgabe:
© 2007 by Cemetary Dance Publications
ISBN 1-58767-158-1, Slipcased Hardcover, 850 Pages
signed by Robin Furth
Inhalt:
"I found this overview of In-World, Mid-World, and End-World both entertaining and invaluable. So, I am convinced, will you." - Stephen King
Foreword by Stephen King.
Compiled by Robin Furth in her role as Stephen King's personal Dark Tower research assistant, this volume is the complete and definitive guide to Stephen King's bestselling epic fantasy series, The Dark Tower.
The Dark Tower is the backbone of Stephen King's legendary career. Begun more than thirty years ago, there are seven books and more than three thousand pages in this bestselling epic fantasy series. The Complete Concordance is the definitive, encyclopedic reference book that provides readers with everything they need to navigate their way through the series. With hundreds of characters, Mid-World geography, High Speech lexicon, and extensive cross-references, this comprehensive handbook is essential for any Dark Tower fan. It is the perfect way in for readers new to the series, or the perfect way back in for longtime fans who read all of the books (and associated works) as they were published.
This Cemetery Dance Publications special Limited Edition will be signed by Furth, hand-numbered and slipcased, and it will feature a deluxe oversized design, making it the perfect companion in your collection for The Stephen King Universe, Stephen King: Uncollected, Unpublished, The Road to the Dark Tower, and Stephen King: The Non-Fiction.
This complete edition includes:
* Characters and Genealogies
* Mid-World and Our World Places
* High Speech, Low Speech, and Mid-World Argot
* Political and Cultural References
* The History of Roland's Ka-tet
* Portals and Magical Places
* Mid-World Miscellany
* The Dark Tower and the Quest
* Magical Objects and Forces
* Mid-World and Our World Places
* Mid-, End-, and Our World Maps
* Timeline for the Dark Tower Series
* Mid-World Dialects
* Mid-World Rhymes, Songs, and Prayers
* Political and Cultural References
* References to Stephen King's Own Work
From Stephen King's Foreword:
"Her Concordance was never meant to be published; it was created solely as a writer's tool. But, even with most of my mind preoccupied by the writing of my tale, I was aware of how good it was, how interesting and readable it was. I also became aware, as time passed and the actual publication of the final three volumes grew closer, of how valuable it might be to the Constant Reader... In any case, it was Robin Furth who inventoried the goods I had on sale, and replaced all the dim overhead lights so I could see everything clearly and find my way from Housewares to Appliances without getting lost...or from Gilead to Calla Bryn Sturgis, if you prefer. That in no way makes her responsible for my errors-of which I'm sure there are many-but it is important that she receive credit for all the good work she has done on my behalf. I found this overview of In-World, Mid-World, and End-World both entertaining and invaluable. So, I am convinced, will you."
From Robin Furth's Introduction:
"For over two years I have lived in Roland's world-occasionally surfacing in ours-and during that time I've collected much of the myth, history, and folklore of Mid-World. Just as, when you wake up from a dream, you try to capture what you saw during your night travels, the book that follows is my attempt to capture my journey with Roland. My goal, when I started, was to make a doorway between worlds. I hope that I have, at least, made a small window."
Praise & Reviews:
"[An] invaluable aid whenever you want to puzzle out all of the references . . . or find a refresher course on who's good and who's evil." - The New York Times
"Furth's concordance anticipates-and answers-virtually every question the Constant Reader might come up with." - Locus
About the Author:
Robin Furth was born and raised in Philadelphia, and attended the University of Pennsylvania. While enrolled in the Ph.D. program at the University of Maine, she was introduced to Stephen King, who needed a research assistant. She has been working with King for more than five years and is now busy writing storylines and folktales for Marvel's forthcoming Dark Tower comic book series. She divides her time between Maine, the south of England, and Mid-World.
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A Concordance, Volume I
by Stephen King
The tale of Roland of Gilead's search for the Dark Tower is a single tale, picaresque in nature (think Huckleberry Finn with monsters, and characters who raft along the Path of the Beam instead of the Mississippi), spanning seven volumes, involving dozens of plot-twists and hundreds of characters. It's hard to tell how much time passes "inside the story," because in Roland Deschain's where and when, both time and direction have become plastic. Outside the story -- in what we laughingly call "the real world" -- thirty-two years passed between the first sentence and the last one.
How long were the lapses between the individual books which make up the entire story? In truth, Constant Reader, I do not know. I think the longest lapse might have been six years (between The Waste Lands and Wizard and Glass). It is a miracle the story was ever finished at all, but perhaps an even greater one that a second volume ever followed the first, which was originally published in a tiny edition by Donald M. Grant, Publishers. The manuscript of that first volume, wet and barely readable, was rescued from a mildewy cellar. The first forty handwritten pages of a second volume (titled, as I remember, Roland Draws Three) were missing. God knows where they wound up.
Will I tell you what happens to a story when it lies fallow over such long periods of time? Will you hear? Then close your eyes and imagine a vast department store, all on one level, lit by great racks of overhead fluorescent lights. You see every kind of item under those lights -- underwear and automotive parts, TVs and DVDs, shoes and stationery and bikes for the kiddies, bluejeans and mattresses (Oh look, Herbie, they're on sale, 40% off!), cosmetics and air-rifles, party dresses and picnic gear.
Now imagine the lights failing, one by one. The huge space grows darker; the goods so temptingly arrayed grow dimmer and harder to see. Finally you can hardly see your hand in front of your face.
That was the kind of room I came to when it was finally time to write The Drawing of the Three, except then the store wasn't so big -- the first volume was less than three hundred pages long, so it was actually more of a mom n pop operation, do ya not see it. I was able to light it again simply by reading over the first volume and having a few ideas (I also resurrected a few old ones; I hadn't entirely forgotten what was in those handwritten pages, or the purpose of the tale).
Coming back to write the third volume (The Waste Lands) in the mid-eighties was harder, because the store was once again almost completely dark, and now it was much bigger. Once again I began by reading over what I'd written, taking copious notes, and filling paperback copies of the first two books with yellow highlighted passages and pink Post-it notes.
Another four years passed...or perhaps this time it was six. The store had once again grown dark, and by the time I was ready to write Wizard and Glass, it was bigger than ever. This time I wanted to add a whole new annex (call it Roland's Past instead of the Bridal Shoppe). Once again out came the books -- three of them, this time -- the yellow highlighter, and the packets of Post-it notes.
When I sat down to complete Roland's story in the year 2001, I knew that just re-reading and writing myself Post-it notes wouldn't be enough. By now the store that was my story seemed to cover whole acres; had become a Wal-Mart of the imagination. And, were I to write three more volumes, I'd be adding dozens of characters (I actually ended up adding over fifty), a whole new dialect (based on the pidgin English used by the natives of West Africa and first encountered by me in Richard Dooling's extraordinary White Man's Grave), and a back story that would -- I hoped -- finally make Roland's wandering present clear to the patient reader.
This time, instead of reading, I listened to Frank Muller's extraordinary audio recordings of the first four Dark Tower stories. Unabridged audio forces the reader to slow down and listen to every word, whether he or she wants to or not. It also lends a new perspective, that of the reader and the audio director. But I knew even that would not be enough. I needed some sort of exhaustive written summary of everything that had gone before, a Dark Tower Concordance that would be easy to search when I needed to find a reference in a hurry. In terms of the store metaphor, I needed someone to replace all the fluorescents, and inventory all the goods on offer, and then hand me a clipboard with everything noted down.
Enter Robin Furth. She came to me courtesy of my old friend and teacher at the University of Maine, Burton Hatlen. Burt is a wonderful scholar of poetry and popular fiction. He has written about Roland for several scholarly journals, and was sympathetic to what I was up to with the books (indeed, he seemed to understand what I was up to better than I did myself). So I gave him my list of requirements with some confidence (some hope, at least) that he would find the right person.
Someone who was bright and imaginative.
Someone who had read a good deal of fantasy (although not necessarily the Tower books themselves), and was therefore familiar with its rather unique language and thematic concerns.
Someone who could write with clarity and verve.
Someone who was willing to work hard and answer arcane and often bizarre questions (Who was the Mayor of New York in 1967? Do worms have teeth?) on short notice.
He found Robin Furth, and my wandering gunslinger had found his Boswell. The Concordance you hold in your hands -- and which will surely delight you as it has delighted me -- was never written to be published. As a writer I like to fly by the seat of my pants, working without an outline and usually without notes. When I have to slow down to look for something -- a name in Volume III, say, or a sequence of events way back in Volume I -- I can almost feel the story growing cold, the edge of my enthusiasm growing blunt and flecking out with little blooms of rust. The idea of the Concordance was to limit these aggravating pauses by putting Roland's world at my fingertips -- not just names and places, but slang terms, dialects, relationships, even whole chronologies.
Robin provided exactly what I needed, and more. One day I walked into my office to discover her down on her knees, carefully sticking photographs to a huge piece of poster paper. It was, she explained, a "walking tour" of Second Avenue in New York, covering the avenue itself and all the cross-streets from Fortieth to Sixty-sixth. There was the U.N. Plaza Hotel (which has changed its name twice since I started writing Roland's story); there was Hammarskjold Plaza (which did not even exist back in 1970); there was the spot where Tom and Jerry's Artistic Deli ("Party Platters Our Specialty") once stood. That poster eventually went up on the wall of my writing room in Florida, and was of invaluable help in writing Song of Susannah (The Dark Tower VI). In addition to the "walking tour" itself, Robin had patiently winkled out the history of the key two blocks, including the real shops and buildings I'd replaced with such fictional bits of real estate as Chew Chew Mama's and The Manhattan Restaurant of the Mind. And it was Robin who discovered that, across the street from 2 Hammarskjold Plaza, there really is a little pocket park (it's called a "peace garden") that does indeed contain a bronze turtle sculpture. Talk about life imitating art!
As I say, her Concordance was never meant to be published; it was created solely as a writer's tool. But, even with most of my mind preoccupied by the writing of my tale, I was aware of how good it was, how interesting and readable it was. I also became aware, as time passed and the actual publication of the final three volumes grew closer, of how valuable it might be to the Constant Reader who'd read the first three or four volumes of the series, but some years ago.
In any case, it was Robin Furth who inventoried the goods I had on sale, and replaced all the dim overhead lights so I could see everything clearly and find my way from Housewares to Appliances without getting lost...or from Gilead to Calla Bryn Sturgis, if you prefer. That in no way makes her responsible for my errors -- of which I'm sure there are many -- but it is important that she receive credit for all the good work she has done on my behalf. I found this overview of In-World, Mid-World, and End-World both entertaining and invaluable.
So, I am convinced, will you.
January 26, 2003
Copyright © 2003 by Robin Furth
Foreword copyright © 2003 by Stephen King
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